Kelvin Burr

showcase

New

New

Usual
Can be seen at Old Angel Studio
Crossroads

Crossroads

Usual
Sold
Bones 11

Bones 11

Usual

£5,200.00
Can be seen at Old Angel Studio
The sound-detail

The sound-detail

Original
120cm x 120cm

£1,400.00
The stem-A.K.A.-The phoenix

The stem-A.K.A.-The phoenix

Original
120cm x 120cm
Sold
Test No.6

Test No.6

Original
90cm x 90cm

£950.00 Framed
Regaining conciousness

Regaining conciousness

Original
90cm x 90cm
Sold
Test No.2

Test No.2

Original
45cm x 45cm

£2,500.00
Can be seen at Old Angel Studio
Brain chasm

Brain chasm

Original
45cm x 45cm
Sold
Fighting for control

Fighting for control

Original
45cm x 45cm

£2,500.00
Losing direction

Losing direction

Original
45cm x 45cm

£2,500.00
Forgotten poem

Forgotten poem

Original
Lime, Ash and Pigment
122cm x 122cm
Sold
Lovers dancing

Lovers dancing

Original
Lime, Ash and Pigment
122cm x 122cm
Stuck between now and then

Stuck between now and then

Original
Lime, Ash and Pigment
122cm x 122cm
Sold
The mother

The mother

The Mother, giver of life.

Original
Lime, Ash and Pigment
122cm x 90cm
Conversation with a never born child 20

Conversation with a never born child 20

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 2

Conversation with a never born child 2

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 4

Conversation with a never born child 4

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 6

Conversation with a never born child 6

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 8

Conversation with a never born child 8

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 10

Conversation with a never born child 10

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 12

Conversation with a never born child 12

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 14

Conversation with a never born child 14

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 16

Conversation with a never born child 16

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 18

Conversation with a never born child 18

Original
Lime,ash,pigment on board
96" x 148"
Marks and the void 6

Marks and the void 6

A Noumenal investigation of marks and the void

Original
Lime,ash,pigment on board
48" x 48"
Sold
Marks and the void 7

Marks and the void 7

A Noumenal investigation of marks and the void

Original
Lime,ash,pigment on board
48" x 48"
Sold
Marks and the void 5

Marks and the void 5

A Noumenal investigation of marks and the void

Original
Lime,ash,pigment on board
48" x 48"
Sold
Marks and the void4

Marks and the void4

A Noumenal investigation of marks and the void

Original
Lime,ash,pigment on board
48" x 48"
Sold
Marks and the void 3

Marks and the void 3

A Noumenal investigation of marks and the void

Original
Lime,ash,pigment on board
48" x 48"
Sold
100 yards from home No.6

100 yards from home No.6

It is the complex feelings which happen in a single moment which fascinate me, and I attempt to capture within the work.

Original
Marks on Paper
Marks on Paper study

Marks on Paper study

My work is created from an Animistic viewpoint, a celebration, of the essence that is life, Earth-Water-Fire- Air- Void. A creative reaction to all that
is, both the observed or physical world and the unseen or Spirit world. Also those moments where the spirit world shows itself and becomes seen and the physical world merely exists as a symbolic gesture. There is no sharp distinction between the two realities; what happens in one affects the other.

Original
Marks on Paper
300cm x 600cm
Waiting at The Crossroads & Learning to Fly

Waiting at The Crossroads & Learning to Fly

Sometimes within the work basic framework forms appear, these forms represent life -past-present-future, they represent man, consciousness, thought, emotion, the senses. Mainly the figure like form is a symbolic representation of the ‘I am’ that is mankind. They are eager to be seen and have their story to be told, even if that story is just a scratch on the board.

Original
Lime on Board
120cm x 120cm
New

New

Usual
Sold
After

After

Usual


£3,000.00
Portal in the woods

Portal in the woods

Original
120cm x 120cm
Sold
Pathway No.1

Pathway No.1

Original
12cm x 120cm

£5,000.00
Pathway No.2

Pathway No.2

Original
120cm x 120cm

£5,000.00
The sound

The sound

Original
120cm x 120cm
Sold
Way out

Way out

Original
120cm x 120cm
Sold
Life force leaking

Life force leaking

Original
99cm x 120cm
Sold
The rain

The rain

Original
120cm x 120cm
Sold
Test No.5

Test No.5

Original
90cm x 90cm
Sold
Redirecting

Redirecting

Original
90cm x 90cm
Sold
Test No.1

Test No.1

45cm x 45cm

£2,500.00
Can be seen at Old Angel Studio
Contemporary fresco, this is work completed since the artist had a stroke
Test No.3

Test No.3

Original
45cm x 45cm
Sold
Pathway No.3

Pathway No.3

Original
45cm x 45cm
Sold
Test No.4

Test No.4

Original
45cm x 45cm

£2,500.00
Distant memory

Distant memory

Original
Lime, Ash and Pigment
122cm x 122cm
Sold
Half forgotten memory

Half forgotten memory

Original
Lime, Ash and Pigment
122cm x 122cm
Sold
Sowing seeds

Sowing seeds

Original
Lime, Ash and Pigment
122cm x 122cm
Sold
The procession out of the void

The procession out of the void

Original
Lime, Ash and Pigment
122cm x 122cm
My purpose as an artist is that of a mark maker, a recorder of memories, a translator of events and emotions.
Sublime slice of life

Sublime slice of life

A slice of life of the moment.

Lime, Ash and Pigment
122cm x 244cm
Conversation with a never born child 1

Conversation with a never born child 1

The 1st marks

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 3

Conversation with a never born child 3

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 5

Conversation with a never born child 5

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 7

Conversation with a never born child 7

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 9

Conversation with a never born child 9

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 11

Conversation with a never born child 11

Original
Lime,ash,pigment on board
9" x 1"
Conversation with a never born child 13

Conversation with a never born child 13

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 15

Conversation with a never born child 15

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 17

Conversation with a never born child 17

Original
Lime,ash,pigment on board
96" x 148"
Conversation with a never born child 19

Conversation with a never born child 19

Original
Lime,ash,pigment on board
96" x 148"
Marks and the void close up 2

Marks and the void close up 2

A Noumenal investigation of marks and the void

Original
Lime,ash,pigment on board
48" x 48"
Sold
Marks and the void 2

Marks and the void 2

A Noumenal investigation of marks and the void

Original
Lime,ash,pigment on board
48" x 48"
Sold
Marks and the void 1

Marks and the void 1

A Noumenal investigation of marks and the void

Original
Lime,ash,pigment on board
48" x 48"
Sold
Marks and the void close up 1

Marks and the void close up 1

A Noumenal investigation of marks and the void

Original
Lime,ash,pigment on board
48" x 48"
100 yards from home No.19

100 yards from home No.19

My art practice is based on a phenomenological regard of what a place, a situation or a memory feels like, not what it looks like, some are my memories some borrowed from other people, previous inhabitants of the space, they are never finished until they are passed onto a new owner as the story is ever unfolding. My purpose as an artists seems to be that of mark maker, a recorder of memories, a translator of events and emotions a teller of the story that is life. Not the big picture, but little snippets of no particular interest, except to those that experienced the moment.

Original
Marks on Paper
100 yards from home No.14

100 yards from home No.14

‘By Cy Twombly’s estimation a drawing presents a morass of possible sensations and emotions, all in the present, all just happening, ‘from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning. The painters experience can change repeatedly as the picture is created. Twombly remarks: ‘it’s more like I’m having an experience than making a picture.’ (Serota: 14)

Original
Acrylic on paper
Marks on Paper

Marks on Paper

Original
Marks on Paper